| Effective public spaces are extremely difficult to accomplish, because their complexity is rarely understood. As William (Holly) Whyte said, "It's hard to design a space that will not attract people. What is remarkable is how often this has been accomplished." |
|
|
|
PPS has identified 11 key elements in transforming public spaces into vibrant community places, whether they're parks, plazas, public squares, streets, sidewalks or the myriad other outdoor and indoor spaces that have public uses in common. These elements are: |
I.
The Community Is The Expert
The important starting point in developing
a concept for any public space is to identify
the talents and assets within the community.
In any community there are people who
can provide an historical perspective,
valuable insights into how the area functions,
and an understanding of the critical issues
and what is meaningful to people. Tapping
this information at the beginning of the
process will help to create a sense of
community ownership in the project that
can be of great benefit to both the project
sponsor and the community.
II.
Create a Place, Not a Design.
If your goal is to create a place
(which we think it should be), a design
will not be enough. To make an under-performing
space into a vital "place," physical elements
must be introduced that would make people
welcome and comfortable, such as seating
and new landscaping, and also through
"management" changes in the pedestrian
circulation pattern and by developing
more effective relationships between the
surrounding retail and the activities
going on in the public spaces. The goal
is to create a place that has both a strong
sense of community and a comfortable image,
as well as a setting and activities and
uses that collectively add up to something
more than the sum of its often simple
parts. This is easy to say, but difficult
to accomplish.
III.
Look for Partners. Partners
are critical to the future success and
image of a public space improvement project.
Whether you want partners at the beginning
to plan for the project or you want to
brainstorm and develop scenarios with
a dozen partners who might participate
in the future, they are invaluable in
providing support and getting a project
off the ground. They can be local institutions,
museums, schools and others.
IV.
You Can See a Lot Just By Observing.
We can all learn a great deal from others'
successes and failures. By looking at
how people are using (or not using) public
spaces and finding out what they like
and don't like about them, it is possible
to assess what makes them work or not
work. Through these observations, it will
be clear what kinds of activities are
missing and what might be incorporated.
And when the spaces are built, continuing
to observe them will teach even more about
how to evolve and manage them over time.
V. Have
a Vision. The vision needs
to come out of each individual community.
However, essential to a vision for any
public space is an idea of what kinds
of activities might be happening in the
space, a view that the space should be
comfortable and have a good image, and
that it should be an important place where
people want to be. It should instill a
sense of pride in the people who live
and work in the surrounding area.
VI.
Start with the Petunias: Experiment…Experiment…Experiment.
The complexity of public spaces is such
that you cannot expect to do everything
right initially. The best spaces experiment
with short term improvements that can
be tested and refined over many years!
Elements such as seating, outdoor cafes,
public art, striping of crosswalks and
pedestrian havens, community gardens and
murals are examples of improvements that
can be accomplished in a short time.
VII.
Triangulate. "Triangulation
is the process by which some external
stimulus provides a linkage between people
and prompts strangers to talk to other
strangers as if they knew each other"
(Holly Whyte). In a public space, the
choice and arrangement of different elements
in relation to each other can put the
triangulation process in motion (or not).
For example, if a bench, a wastebasket
and a telephone are placed with no connection
to each other, each may receive a very
limited use, but when they are arranged
together along with other amenities such
as a coffee cart, they will naturally
bring people together (or triangulate!).
On a broader level, if a children's reading
room in a new library is located so that
it is next to a children's playground
in a park and a food kiosk is added, more
activity will occur than if these facilities
were located separately.
VIII.
They Always Say "It Can't Be Done."
One of Yogi Berra's great sayings is "If
they say it can't be done, it doesn't
always work out that way," and we have
found it to be appropriate for our work
as well. Creating good public spaces is
inevitably about encountering obstacles,
because no one in either the public or
private sectors has the job or responsibility
to "create places." For example, professionals
such as traffic engineers, transit operators,
urban planners and architects all have
narrow definitions of their job - facilitating
traffic or making trains run on time or
creating long term schemes for building
cities or designing buildings. Their job,
evident in most cities, is not to create
"places." Starting with small scale community-nurturing
improvements can demonstrate the importance
of "places" and help to overcome obstacles.
IX.
Form Supports Function. The
input from the community and potential
partners, the understanding of how other
spaces function, the experimentation,
and overcoming the obstacles and naysayers
provides the concept for the space. Although
design is important, these other elements
tell you what "form" you need to accomplish
the future vision for the space.
X.
Money is not the issue. This
statement can apply in a number of ways.
For example, once you've put in the basic
infrastructure of the public spaces, the
elements that are added that will make
it work (e.g., vendors, cafes, flowers
and seating) will not be expensive. In
addition, if the community and other partners
are involved in programming and other
activities, this can also reduce costs.
More important is that by following these
steps, people will have so much enthusiasm
for the project that the cost is viewed
much more broadly and consequently as
not significant when compared with the
benefits.
XI.
You Are Never Finished. By
nature good public spaces that respond
to the needs, the opinions and the ongoing
changes of the community require attention.
Amenities wear out, needs change and other
things happen in an urban environment.
Being open to the need for change and
having the management flexibility to enact
that change is what builds great public
spaces and great cities and towns.
Order How to Turn a Place Around